Abstract

In Human Nature, Hobbes argues for what I call the ‘Great Deception Thesis’: “whatsoever accidents or qualities our senses make us think there be in the world, they are not there, but are seemings and apparitions only.” I argue that both the thesis and Hobbes’ arguments for it have been misunderstood. Rather than arguing for indirect realism or a primary/secondary quality distinction, Hobbes claims that no sensory experience resembles its object. I conclude by showing how Hobbes can account for the usefulness of images even in the absence of any resemblance between those images and the objects that cause them. If I am right, Hobbes presents a distinctive and intriguing theory of perception, one that emphasizes the dynamic nature of experience.