Abstract

Since the nineteenth century the poetic and metaphysical vision of the fifteenth-century painter Piero della Francesca has been admired by intellectuals, studied by a host of art historians, and has inspired a long line of modern painters from Cezanne to de Chirico, Balthus, Hockney and many others. Despite this modern interest, Piero has remained enigmatic due to the paucity of documentation pertaining to him and his works. Banker’s book is a valuable contribution towards elucidating the social and cultural context into which Piero was born and in which he received his earliest education and artistic training. In Banker’s words “this book has two focal points: the culture of the town and the youth of the painter.” The entire study challenges the traditional view that regards Piero’s sojourn in Florence in 1439 as the formative event in his artistic development. Indeed, Banker makes a strong case for Piero’s early formation in his native Borgo San Sepolcro, a town in the upper Tiber river valley on the frontiers between Tuscany, the Marches, and Umbria.