Cognitive Science 41 (7):1804-1837 (2017)
Abstract |
To investigate the cognitive processes underlying creative inspiration, we tested the extent to which viewing or copying prior examples impacted creative output in art. In Experiment 1, undergraduates made drawings under three conditions: copying an artist's drawing, then producing an original drawing; producing an original drawing without having seen another's work; and copying another artist's work, then reproducing that artist's style independently. We discovered that through copying unfamiliar abstract drawings, participants were able to produce creative drawings qualitatively different from the model drawings. Process analyses suggested that participants' cognitive constraints became relaxed, and new perspectives were formed from copying another's artwork. Experiment 2 showed that exposure to styles of artwork considered unfamiliar facilitated creativity in drawing, while styles considered familiar did not do so. Experiment 3 showed that both copying and thoroughly viewing artwork executed using an unfamiliar style facilitated creativity in drawing, whereas merely thinking about alternative styles of artistic representation did not do so. These experiments revealed that deep encounters with unfamiliar artworks—whether through copying or prolonged observation—change people's cognitive representations of the act of drawing to produce novel artwork.
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Keywords | Art Art appreciation Artistic creation Cognitive constraints Copy Creativity Imitation Inspiration |
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Reprint years | 2017 |
DOI | 10.1111/cogs.12442 |
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References found in this work BETA
Scientific Discovery, Computational Explorations of the Creative Processes.P. Langley, H. A. Simon, G. L. Bradshaw & J. M. Zytkow - 1991 - Erkenntnis 34 (1):125-127.
Scientific Discovery: Computational Explorations of the Creative Process. Pat Langley, Herbert A. Simon, Gary L. Bradshaw, Jan M. Zytkow.Malcolm R. Forster - 1990 - Philosophy of Science 57 (2):336-338.
Constraints on Representational Change: Evidence From Children's Drawing.Annette Karmiloff-Smith - 1990 - Cognition 34 (1):57-83.
The Creative Vision: A Longitudinal Study of Problem Finding in Art.Vera John-Steiner - 1979 - Journal of Aesthetic Education 13 (4):121.
Collaborative Discovery in a Scientific Domain.Takeshi Okada & Herbert A. Simon - 1997 - Cognitive Science 21 (2):109-146.
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Citations of this work BETA
Editors’ Introduction and Review: Visual Narrative Research: An Emerging Field in Cognitive Science.Neil Cohn & Joseph P. Magliano - 2020 - Topics in Cognitive Science 12 (1):197-223.
The Ubiquity of Cross-Domain Thinking in the Early Phase of the Creative Process.Victoria S. Scotney, Sarah Weissmeyer, Nicole Carbert & Liane Gabora - 2019 - Frontiers in Psychology 10.
Plagiarism of the Implicit Concept in Interior Design Projects: Does It Exist?Abeer A. Alawad, Donia M. Bettaieb & Raif B. Malek - 2022 - Arts and Humanities in Higher Education 21 (1):21-39.
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