Abstract

Lewis Gordon's Fear of Black Consciousness is a resolute response to the ongoing pessimism present in contemporary culture and academia regarding Black life. As a towering figure in Black existential philosophy, Gordon seamlessly weaves together discussions of contemporary and historical Western philosophers such as Gabriel Marcel and Friedrich Nietzsche with his analyses of film, music, culture, and more. Across the text's twelve chapters, Gordon reveals the pervasiveness of anti-black ideologies while challenging his readers to affirm various forms of resistance to violence, invisibility, and erasure. The book is written for an audience beyond academia, and is invested in telling a practical philosophical story about generating an empowering sense of Black consciousness. Sprinkled with personal stories, witty anecdotes, and powerful arguments, the book encourages readers to rethink historical descriptions of anti-black violence as well as the vocabulary used to talk about race and racism today. An example of this is Gordon's discussion of various slave trades across the planet. He writes, ‘Only the Arab designation is correct, since it refers to Arabs trading in the enslavement of peoples. The others should properly be called the European slave trade and the East Indian slave trade or Asian slave trade. Oceans do not trade people’ (pp. 52). Another insightful aspect of the text is the author's study of films like Jordan Peele's Get Out, Boots Riley's Sorry to Bother You, and Ryan Coogler's Black Panther. Through these films, he provides a detailed look at how cinematic representation engages complex dialogues of anti-Blackness and Black power, as well as anti-capitalism. Overall, Gordon's book is a wonderful resource for anyone curious about cultivating a resistant and critical lens on contemporary culture. The aim of this review is to highlight a few of the book's major contributions for academics, casual readers, and those interested in ongoing discussions within Africana philosophy.