Abstract

This essay attempts to track the changing shape of cultural studies in South Africa, drawing on both local and global reference points. In the first part of the essay, I account for the preoccupations of South African cultural studies from the late 1980s to the late 1990s. In the second part, I reflect on further shifts since 2000. Here I argue for a politics of the emergent, an increasing turn towards the negotiation of the possible, the drawing in of trans-national frames, and the reformulation of theories of race in the aftermath of resistance politics. Studies of popular culture during this period increasingly come to be superseded by a focus on public culture and on circulation. The essay concludes by considering current contests in cultural studies in South Africa and with a reflection on its current place within a reconstituted public intellectual space.