Entanglement and Ecstasy in Dance, Music, and Philosophy: A Reply to Carrie Noland, Nancy S. Struever, and Thomas Rickert

Philosophy and Rhetoric 54 (1):63-80 (2021)
  Copy   BIBTEX

Abstract

ABSTRACT Dance and music serve in this essay to exemplify both the looping entanglement of art and life as well as the account of art and philosophy developed in Strange Tools. This essay replies to criticisms of Carrie Noland, Nancy S. Struever, and Thomas Rickert and also offers a briefer restatement of the general approach.

Categories

Add categories

Keywords

Reprint years

DOI

10.5325/philrhet.54.1.0063

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 91,386

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

My notes

Similar books and articles

Struever's “Rhetoric as Inquiry”.Rocco Rubini - 2012 - Philosophy and Rhetoric 45 (1):89-98.
Dance Rhythm.Aili Bresnahan - 2019 - In Peter Cheyne, Andy Hamilton & Max Paddison (eds.), The Philosophy of Rhythm: Aesthetics, Music, Poetics. New York: Oxford University Press, USA. pp. 91-98.
Crossmodal Aesthetics: How Music and Dance Can Match.Solveig Aasen - 2021 - Philosophical Quarterly 71 (2):223-240.
The Aesthetics of Electronic Dance Music, Part II: Dancers, DJs, Ontology and Aesthetics.Nick Wiltsher - 2016 - Philosophy Compass 11 (8):426-436.
Theory as Practice: Ethical Inquiry in the Renaissance.Nancy S. Struever - 1992 - University of Chicago Press.
Relationships Between Score and Choreography in Twentieth-century Dance: Music, Movement, and Metaphor.Paul Hodgins - 1992 - Lewiston, N.Y. ; Queenston, Ont. : E. Mellen Press.
Like-Sensing Subjects.Carrie Noland - 2019 - Midwest Studies in Philosophy 44 (1):21-37.
Allegories of Temporality: Philippe Jaccottet and the Poetics of the Notebook.Carrie Noland - 1994 - Substance 23 (1):79.
The Aesthetics of Electronic Dance Music, Part I: History, Genre, Scenes, Identity, Blackness.Nick Wiltsher - 2016 - Philosophy Compass 11 (8):415-425.
Ethics, Staged.Carrie Noland - 2017 - Performance Philosophy 3 (1):67-91.
Rimbaud and Patti Smith: Style as Social Deviance.Carrie Jaurès Noland - 1995 - Critical Inquiry 21 (3):581-610.
Rimbaud and Patti Smith: Style as Social Deviance.Carrie Jaurès Noland - 1995 - Critical Inquiry 21 (3):581-610.
Hobbes and Vico on Law. [REVIEW]Nancy S. Struever & Thomas Willette - 2001 - New Vico Studies 19:63-85.
Dancing equality: Image, imitation and participation.Christopher Watkin - 2016 - In Carrie Giunta & Adrienne Janus (eds.), Nancy and Visual Culture. Edinburgh, UK: Edinburgh University Press. pp. 39-54.
Rhetorical definition: A French initiative.Nancy S. Struever - 2009 - Philosophy and Rhetoric 42 (4):pp. 401-423.

Analytics

Added to PP
2021-03-31

Downloads
25 (#616,937)

6 months
3 (#992,474)

Historical graph of downloads
How can I increase my downloads?

Author's Profile

Alva Noë
University of California, Berkeley

Citations of this work

Künste als Technologien der Selbst-Transformation.Simone Mahrenholz - 2023 - Deutsche Zeitschrift für Philosophie 71 (5):731-751.

Add more citations

References found in this work

Varieties of presence.Alva Noë - 2012 - Cambridge, Mass.: Harvard University Press.
Action in Perception by Alva Noë. [REVIEW]Alva Noë - 2005 - Journal of Philosophy 102 (5):259-272.
An Autobiography.F. G. Marcham & R. G. Collingwood - 1941 - Philosophical Review 50 (5):546.

View all 7 references / Add more references