Semiosis and Nomadic Art in Eurasia

Cultura 9 (2):151-162 (2012)
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Abstract

Despite, or perhaps as a form of resistance to contemporary globalization tendencies, the Central Asia region has chosen a way of life that combines modernconditions with deeply ingrained ancient customs and traditions. The gap between the by-gone glorious nomadic past in the communities of the Great Steppe and the socio-cultural and economic setup of the independent countries in this region, for instance Russia and Kazakhstan, is huge, and without access to modern structures of knowledge dissemination, the cultural heritage of these ancient nomadic communities remains largely unexplored. This paper seeks to present some of the hidden cultural treasures of these peoples. In order to do so, the study focuses on the semiotic implications of ornaments as intercultural signs amidst the nomadic cultures of Eurasia.

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