Abstract

Chung-ying Cheng has been systematically expounding, expanding, and extending the insights and parameters of Western hermeneutics, producing a new understanding of Chinese philosophy by way of an onto-generative hermeneutics that unravels not only the epistemological workings of the ineluctable human process of interpreting and understanding, but also encapsulates the ontological conditions of which the process is an integral expression. His work functions as the bedrock of a philosophy of culture; the practical expression of Cheng's onto-generative hermeneutics, construed as a valid and consistent theory of culture, dismisses the ideality of meaning by subjecting all cultural realities to constant reinterpretation, based on a non-foundationalist conception of culture, while squarely rooted in the ontological source of creativity.