Abstract

In this article I attempt to trace the path of my artistic research, which began from the application of schizoanalysis in performance and which now explores the possible limits of thought in order to regard how performance thinks in specifically different ways from discursive forms of thought, such as philosophy. The main argument starts from the notion – borrowed from French thinker, François Laruelle - that philosophical thought does not tell us more about the Real than any other gestures of thought. I begin from a speculative relationship between the apparatus of cognitive capitalism. I conclude by superpositioning the post-humanist thought of Laruelle and Karen Barad with the concept of ‘non-standard’ performance as fictioning. As a whole, the article aims to propose a performative approach to artistic research in these terms.