Abstract

This essay deals with Jean-Luc Nancy’s ambivalent philosophical relationship to the phenomenological perspective on the problem of corporeity. The present analysis aims to point out how within the framework of a critical rejection of some of the fundamental elements of the phenomenological tradition, Nancy adopts some of its other elements in order to forge his own approach to corporeity. While traversing Nancy’s thinking from his critique of the Leib to his concept of technique and ecotechnics, the essay engages in a critical discussion of diverse phenomenological motifs from Husserl’s, Merleau-Ponty’s and Heidegger’s oeuvre.