Irony and the Work of Art: Hegelian Legacies in Robert Smithson

Evental Aesthetics 1 (1):45-73 (2012)
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Abstract

This paper utilizes Robert Smithson's philosophy as a kind of counterpoint, rather than refutation, to many of Hegel's convictions on the nature and function of art in world historical spirit

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Shannon Mussett
Utah Valley University

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References found in this work

The Limits of Contradiction: Irony and History in Hegel and Henry Adams.Joseph G. Kronick - 1986 - Clio: A Journal of Literature, History, and the Philosophy of History 15 (4):391-410.

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