Cambridge University Press (2011)

Machine generated contents note: Introduction; Part I. Theoretical Views about Pity and Fear as Aesthetic Emotions: 1. Drama and the emotions: an Indo-European connection? 2. Gorgias: a strange trio, the poetic emotions; 3. Plato: from reality to tragedy and back; 4. Aristotle: the first 'theorist' of the aesthetic emotions; Part II. Pity and Fear within Tragedies: 5. An introduction; 6. Aeschylus: Persians; 7. Prometheus Bound; 8. Sophocles: Ajax; 9. Euripides: Orestes; Appendix: catharsis and the emotions in the definition of tragedy in the Poetics.
Keywords Greek drama (Tragedy History and criticism  Pathos in literature  Sympathy in literature  Fear in literature  Emotions (Philosophy History  Aesthetics, Ancient  LITERARY COLLECTIONS / Ancient, Classical & Medieval
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Reprint years 2012
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Call number PA3136.M86 2012
ISBN(s) 0521765102   9780521765107   1107526582
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“Aesthetic Ideas”: Mystery and Meaning in the Early Work of Barrie Kosky.Jennifer A. McMahon - 2021 - In James Phillips & John Severn (eds.), Barrie Kosky’s Transnational Theatres. New York, NY, USA: Springer. pp. 59-80.
On the Value of Drunkenness in the Laws.Nicholas Baima - 2017 - History of Philosophy & Logical Analysis 20 (1):65-81.
Relational Empathy.Mark Fagiano - 2019 - International Journal of Philosophical Studies 27 (2):162-179.
(Mis)Counting Catastrophe in Aeschylus’ Persae.Ben Radcliffe - 2022 - Classical Antiquity 41 (1):91-128.
Textual Jealousies in Chariton’s Callirhoe.David F. Elmer - 2022 - Classical Antiquity 41 (1):180-220.

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