Abstract

Much of the scholarship on Luce Irigaray has focused exclusively on her psychoanalytic work. The Feminine and Nihilism engages instead in a careful reading of the major philosophical intertexts in Irigaray's Marine Lover of Friedrich Nietzsche. This study is an interpretation of Irigaray's philosophy of sexual difference and seeks to uncover how she enters into an amorous dialogue with the silent ground in Nietzsche's thinking: the material.