Abstract

Scholars still struggle to characterize, evaluate, and understand the mesmerizing prose pieces of Ficciones that raised Jorge Luis Borges to the first ranks of literary fame. Speaking to Philosophy and Literature, Borges once described his work as "the fiction of philosophy," and the two prologues he wrote for Ficciones leave enticing clues about what this means in practice. I argue that these long-neglected prologues open critical space for Ficciones, slyly mocking three idols of literary cant: that genre informs a work, that epic tomes best represent the real, and that great authors write unprecedented books. Borges knew better.