How bad can good sport be?

Journal of the Philosophy of Sport 50 (1):36-62 (2023)
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Abstract

I argue that ethical features of sport strongly interact with aesthetic features of sport, such that all pro tanto ethical merits/defects count as aesthetic merits/defects. This is a much-debated topic in the philosophy of art and aesthetics literature, in which recent critics have taken to task this interactionist take on how ethical evaluative properties interact with aesthetic ones. The critics’ main argument against this view is that far too many works of art than theorists of this strong interactionist kind care to admit either lack the evaluative ethical properties they claim for them, or their ethical properties do not appreciably affect their aesthetic properties. Sport, I argue, is a notable exception. That’s because in sport ethical flaws in athletic performances double as aesthetic flaws with very few exceptions, or so I will argue. Unlike artworks, therefore, the interactionist thesis holds mostly true across the entire athletic spectrum, which is why, in my view, it warrants far more serious attention and appreciation than it is commonly given in both the philosophy of art and aesthetics and philosophy of sport literature.

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William Morgan
University of California, Berkeley

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References found in this work

On Certainty.Ludwig Wittgenstein, G. Anscombe, G. H. Von Wright, A. C. Danto & M. Bochner - 1992 - Philosophical Quarterly 42 (167):261-262.
Moderate moralism.Noël Carroll - 1996 - British Journal of Aesthetics 36 (3):223-238.
Are Rules All an Umpire Has to Work With?J. S. Russell - 1999 - Journal of the Philosophy of Sport 26 (1):27-49.
In Praise of Immoral Art.Daniel Jacobson - 1997 - Philosophical Topics 25 (1):155-199.
Moderate Moralism.Noël Carroll - 1996 - British Journal of Aesthetics 36 (3):223-238.

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