Natural Beauty: A Theory of Aesthetics Beyond the Arts

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Peterborough, CA: Broadview Press (2007)
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Abstract

_Natural Beauty_ was selected for the _Choice_ _Outstanding Academic Title_ list for 2008! _Natural Beauty_ presents a bold new philosophical account of the principles involved in making aesthetic judgments about natural objects. It surveys historical and modern accounts of natural beauty and weaves elements derived from those accounts into a “syncretic theory” that centers on key features of aesthetic experience—specifically, features that sustain and reward attention. In this way, Moore’s theory sets itself apart from both the purely cognitive and the purely emotive approaches that have dominated natural aesthetics until now. _Natural Beauty_ shows why aesthetic appreciation of works of art and aesthetic appreciation of nature can be mutually reinforcing; that is, how they are cooperative rather than rival enterprises. Moore also makes a compelling case for how and why the experience of natural beauty can contribute to the larger project of living a good life.

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Citations of this work

Environmental aesthetics.Allen Carlson - 2008 - Stanford Encyclopedia of Philosophy.
Aesthetic Appreciation of Nature and Environmentalism.Allen Carlson - 2011 - Royal Institute of Philosophy Supplement 69:137-155.
Head in the Clouds.David Macauley - 2010 - Environment, Space, Place 2 (1):147-184.
Science, Nature, and Moore's Syncretic Aesthetic.Glenn Parsons - 2009 - Ethics, Place and Environment 12 (3):351-356.

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