Figures in (De)composition: The genesis of the paradoxical self in paul auster's moon palace (a fuzzy grammar of subjectivity) 1

Angelaki 4 (3):75-91 (1999)
  Copy   BIBTEX

Abstract

(1999). Figures in (De)composition: The genesis of the paradoxical self in paul auster's moon palace (a fuzzy grammar of subjectivity) 1 . Angelaki: Vol. 4, No. 3, pp. 75-91

Categories

Keywords

Reprint years

DOI

10.1080/09697259908572057

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 91,219

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

My notes

Similar books and articles

Figures in (De) composition: The genesis of the paradoxical self in paul auster's moon palace (a fuzzy grammar of subjectivity) 1.Salah el Moncef - 1999 - Angelaki: Journal of the Theoretical Humanities 4 (3):75-91.
The Light and the Fogg: Edward Hopper and Paul Auster.James Peacock - 2006 - Janus Head 9 (1):75-94.
Paul Auster and Postmodern Quest: On the Road to Nowhere.Ilana Shiloh - 2002 - Peter Lang Incorporated, International Academic Publishers.
The New York Trilogy: Whodunit? : Tracking the Structure of Paul Auster's Anti-detective Novels.Anne M. Holzapfel - 1996 - Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften.
Structure, Sign and Play in the Discourse of Paul Auster's In the Country of Last Things.Niall Lucy - 2009 - Angelaki 14 (2):21-28.
Appeal in respect of the warsaw scarp.Radziwill Palace, Ujazdow Castle, Belvedere Palace & Krolikarnia Palace - 1998 - Dialogue and Universalism 8 (7-12):43.
El ilusionista de las palabras: Paul Auster y su universo creativo.Esther Álvarez López - 2010 - Arbor 186 (741):89-97.
Movement, space and language in Paul Auster’s City of Glass.Juan Serey Aguilera - 2016 - Alpha (Osorno) 42:77-92.
Lunnyj smisl’ v tchelovetcheskom jazyke [Moon sense in human language].Elena Tinyakova - 2006 - Información Filosófica 3 (2):61-68.
Cognitive Fictions.Joseph Tabbi - 2002 - U of Minnesota Press.
The changes in the iconography and composition of veronese's allegory of the battle of Lepanto in the doge's palace.Staale Sinding-Larsen - 1956 - Journal of the Warburg and Courtauld Institutes 19 (3/4):298-302.
Clarendon Palace: The History and Archaeology of a Medieval Palace and Hunting Lodge near Salisbury. [REVIEW]C. R. - 1991 - Speculum 66 (3):645-647.
Composition and expression of spectrin‐based membrane skeletons in non‐erythroid cells.Randall T. Moon & Andrew P. McMahon - 1987 - Bioessays 7 (4):159-164.
Paul Villard, J.-J. Thomson et la composition des rayons cathodiques/Paul Villard, J.-J. Thomson and the composition of cathode rays. [REVIEW]Benoit Lelong - 1997 - Revue d'Histoire des Sciences 50 (1):89-130.
"I Have Set My Affair on Nothing": Literary Theory, Fiction, and the Politics of Antirepresentation.Jesse Cohn - 1999 - Dissertation, State University of New York at Binghamton

Analytics

Added to PP
2009-02-01

Downloads
30 (#504,503)

6 months
5 (#544,079)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

The logic of sense.G. Deleuze - 2000 - Filosoficky Casopis 48 (5):799-808.

View all 13 references / Add more references