Abstract

Aeneas' stopover at Actium has struck most readers as an Augustan interlude in the odyssey of Aeneid 3. The scene is conspicuous among the other episodes in the trip for its brevity and for the fact that it does not advance the action toward the Trojan exiles' Italian goal. Instead the accent falls on prefiguring actions of Aeneas' distinguished descendant, Octavian, after he achieved victory over Antony at the same site in 31 B.C. Where the future Augustus dedicated spoils from the battle to Actian Apollo and instituted a festival called the Actian Games, the Trojans celebrate athletic games at Actium and their leader affixes an enemy trophy to the temple of Apollo there. This last act, however, Aeneas' dedicatio, points allusively to the mythical past as well as to the Augustan future. To appreciate the full force of that complex reference, which enriches the thematics of the entire scene, hinges on our recognition of a mythological figure whose identity has been long in doubt. The narrator Aeneas reports that he hung up on Apollo's shrine ‘the bronze shield worn by great Abas’. Who is this Abas, and why is his mention here significant?