Abstract

This article explores the tension between Meister Eckhart's frequent claim that the human soul is an image of the divine and his equally frequent claim that God is beyond description and language. Through a reading of German Sermon 16b, I argue that Eckhart emphasizes the image's immediate ontological relationship to its source and downplays the image's similarity to this source. The soul as an image of God reveals God not through its nature as a soul but through the contingency of its being. The same is true of the sermon as well.