Abstract

Previous chapter In German-speaking countries the rhythm became between 1785 and the very first years of 19th century, an explicit theme of philological, poetic and philosophical investigation. This is the second starting point in Modern Times of rhythm as rhuthmos, i.e. as “way of flowing”, the second time Platonic traditional definition was opposed by a re-actualized Heraclitean characterization. From Numerus to Rhythm in Poetry Clémence Couturier-Heinrich published in 2004 a - Sur le concept de rythme – Nouvel article