Abstract

Previous chapter In the 1880s and the 1890s, there was a new turn in the use of the concept of rhythm in art history and aesthetics. Rhythm, which had been successively—and sometimes jointly—considered as a judgment criterion then as an analytical category, was increasingly considered as a form of process. This new trend was mainly influenced by the new development of psychology which began to be massively imported into aesthetics during this period, but it also resulted from the growing - Esthétique – Nouvel article