Abstract

SummaryThe aim of this paper is to exhibit some important features of the two versions of the Deduction. In the first edition, Kant emphasizes the role of imagination as an autonomous faculty; in the second, on the contrary, imagination, though keeping its synthetic function, is subordinated to the understanding. This reversal in the role of imagination is bound up to a paradoxical conception ot the object which pervades the two editions of the Critique. The Deduction should be conceived as a way out of the paradox, each edition favoring one alternative against the other. The role of the subject is correlative of the way the object is conceived: this article shows how German Idealism radicalised Kant's position in the first edition, and Positivism the second version, though both were led to depard from Kant's general requirement that knowledge was a result of the equilibrium of concepts and intuitions.