In James B. South & Kimberly S. Engels (eds.),
Westworld and Philosophy. Wiley-Blackwell. pp. 196–205 (
2018)
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Abstract
Instances of nudity in Westworld can be put into three categories: Nudity as a beautiful art form, nudity as a sign of (male) dominance, and nudity as a sign of humanity or more to the point, nudity as a sign of becoming human. All the hosts presented as nudes in Westworld are idealized. The hosts are always more idealized in their form than either the human guests or the human directors of the park. Kenneth Clark makes a key distinction between being naked, “being without clothes”, and the nude as a form of art. He imagines that the idealized beauty of the nude is analogous to the architecture of a building: It is a “balance between an ideal scheme and functional necessities”. The idealization of the human body and the createdness of the hosts come together in the main human theme of both the park's creators and its visitors: Control.