The principle of double idealization of antiquity in Georg bãchner's drama 'Danton's death'
Abstract
In this article we analyze Georg Büchner’s tragedy ‘Danton’s Death‘ on the basis of implementation of double idealization principle as meaning- and structure-forming item of the text. It is proved that the principle of double idealization is connected with the antiquity; from the one hand, Ancient Greece comes out as a self-sufficient timeless ideal, opposed to the temporal ideal of Ancient Rome in the Republic period; on the other hand, the double idealization principle can be considered as a method applied during the formation of the new (in the historical context) ideal. However, in the world - which is interpreted by the dramaturge as the supremacy of chaos and fatalism of history, antiquity is once again is a constant point, from which the motion can start