Abstract

Historians have long noted the importance of Victorian culture for the emergence of Darwin's ideas. This paper takes this understanding one step further by illustrating a deep cultural analysis for the underlying aesthetics framework which, on the one hand, is part of Darwin's notion of sexual selection while, at the same time, serving to give rise to a new "aesthetics semantics." While evolutionary biology avoids this language, it nevertheless had far-reaching influences in the decades following the publication of Darwin's work. Additionally, evolutionary aesthetics from Darwin provides unique insights on the philosophical foundations it draws upon