Hegel and Semiotics: Beyond the End of Art

In K. Bankov (ed.), New Semiotics: Between Tradition and Innovation Proceedings of the Twelfth World Congress of Semiotics. New Bulgarian University. pp. 10 pages (2016)
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This paper argues that Hegel attempts to appropriate the irreversible aspects of Romantic aesthetics in four ways: (i) Hegel radicalizes Kantian aesthetics on the basis of a basically textual approach to sublime experience that opens up the question of community as a philosophical one; (ii) without demoting classical conceptions of art, Hegel privileges Romantic conceptions that demonstrate the ascendancy of sign over symbol in a spiraling chain; (iii) Hegel laments the fate of art in the triumph of Romantic subjectivism but also suggests how communities can reconstitute themselves on the horizon of aesthetic dissolution; so that, finally, (iv) art can be reconceived as a emancipatory adventure that redefines metaphysics through its historical unfolding as an unending series of semiotic transformations.



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William Melaney
American University in Cairo

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References found in this work

Critique of Judgment.Immanuel Kant - 1790 - Barnes & Noble.
Critique of Judgment.Immanuel Kant & Werner S. Pluhar - 1987 - Indianapolis, Indiana: Hackett Publishing.
Lectures on Kant’s Political Philosophy.Hannah Arendt - 1982 - University of Chicago Press.
Lectures on Kant’s Political Philosophy,.Hannah Arendt & Ronald Beiner - 1982 - Tijdschrift Voor Filosofie 56 (2):386-386.

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