Aesthetics of Fake. An Overview

Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 9 (2):59-69 (2016)
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Abstract

The word «fake» and its several synonyms touch on a number of ontological and mimetic issues that since Plato have led directly to contemporary debates. In the present survey we will try to outline a «grammar of fake» through three points: a) the issue of pseudos in Plato and its impact on contemporaneity; b) the notion of hyperreality as absolute fake; c) the dimension of operative fake, grasped in its postmodern enucleation.

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Andrea Mecacci
Università degli Studi di Firenze

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References found in this work

Languages of Art.Nelson Goodman - 1970 - Philosophy and Rhetoric 3 (1):62-63.
The transfiguration of the commonplace.Arthur C. Danto - 1974 - Journal of Aesthetics and Art Criticism 33 (2):139-148.
The Aesthetics of Mimesis: Ancient Texts and Modern Problems.Stephen Halliwell - 2002 - Princeton, USA: Princeton University Press.
The Transfiguration of the Commonplace.Warren Quinn & Arthur C. Danto - 1983 - Philosophical Review 92 (3):481.

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