The posthuman comedy

Critical Inquiry 38 (3):533-553 (2012)
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Abstract

According to Wai Chee Dimock, scholars of American literature should study it in a bigger historical context than the one beginning in 1776 or even 1620, freeing themselves in this way from the narrow-minded nationalism that has so often drawn a border around their research. To view American literature in light of the longer durée of ancient civilizations is to see Henry David Thoreau reading the Bhagavad Gita, Ralph Waldo Emerson the Persian poet Hāfez, and rediscover in these and other extensive sympathies the kinship of American literature with world literature. Dramatically expanding the tracts of space-time across which literary scholars might draw valid links between author and author, text and text, and among author, text, and the wide world beyond, the perspective of deep time holds the additional promise, for Dimock, of reinvigorating “our very sense of the connectedness among human beings” and of dissuading us, thereby, from the wisdom of war.1 At the very least we might hope that American soldiers wouldn't look idly on, as they did on 14 April 2003, as the cultural treasures of the Iraqi National Library—which are the treasures of all humankind—were looted and burned

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Citations of this work

Academic Writing, I Love You. Really, I Do.Eric Hayot - 2014 - Critical Inquiry 41 (1):53-77.
The Natural History of Aesthetics.Thomas H. Ford - 2015 - Journal of the Philosophy of History 9 (2):220-239.

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Soul dust: the magic of consciousness.Nicholas Humphrey - 2011 - Princeton, N.J.: Princeton University Press.
Horror Temporis.Benjamin Noys - 2008 - Collapse: Philosophical Research and Development 4.

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