Abstract

Parasite is best seen in existential rather than moral terms. It does not issue in moral, social or economic judgements. The film describes, or perhaps portrays, the dreamlike mode of fantasy “existence” the “underground” people in a society so rigidly stratified that communication with people on the other side of the societal “lines” is literally impossible, inevitably resulting in the destruction, real or metaphorical, of everyone on both sides of those lines.