Abstract

Hayden White suggested that narratives achieve coherence through literary types of emplotment. Generally, this is not the case. I contrast simple narratives, whose coherence lies in their subject and chronological structure; reflective narratives, which give an account of a trend; and genetic narratives, designed to explain and outcome. Some narratives do more than one of these things. Each kind of narrative is constrained by its function, but this constraint seldom if ever ensures its complete objectivity.