Abstract

This self-interview is the responsive document coming forth from the post-conference camaraderie. The four “Žižekian Performers” – found with themselves personally, creatively, and academically following the 2014 International Žižek Studies Conference. As a self-interview document that mimics the gameplay of Žižek himself in his own self-interview from his The Metastases of Enjoyment where he puts on the guise of the “big Other” to examine himself, we four performers here examine ourselves, each other, our work, and each other’s work to produce this post-partum collaborative essay. In our collective project, we outline our individual performances from the Conference, each stake a claim and personal response to the critical question of what is a “Žižekian Performance,” and identify and discuss other synergies that emerged and exist amid our work in the form of cross-examinations and self-examinations. Ultimately, this group’s self-interview blazes the way for performance to interpenetrate the “Žižekian” and to intervene wherever theory, investigation, and presentation may lie