Abstract

The notion of the unconscious is central to Freudian theory, and is at the same time dependent on a network of other concepts and assumptions. The theory as a whole is best understood as a historical anthropology, in the double sense that it reflects a historical transformation of the human condition and that its frame of reference is embedded in the cultural universe of a historical epoch. A critical reconstruction of the psychoanalytical project, now urgently needed, therefore faces a double task: it must confront new experiences and developments which have changed the structures of human subjectivity and being-in-the-world, and it must involve a thoroughgoing examination of the conceptual blockages and imbalances built into Freud's successive systems. Both the 20th-century history of psychoanalysis and the new critical perspectives must be situated in the context of a long-term process of individualization; but they also reflect changing perceptions and interpretations of otherness, internal as well as external, and are, in that regard, related to the transformations of art and religion