Gilles Deleuze y Jacques Rancière. Arte, montaje y acontecimiento

Estudios de Filosofía (Universidad de Antioquia) 13:173-183 (2015)
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Abstract

The critique of images is seen as a set-up’s critique for the emergency ofcritical thinking in the era of the proliferation of information and communication systems, imposed due to their apparent objectivity. This article discusses in seven paragraphs the link among montage, image and event according to the thoughts ofGilles Deleuze and Jacques Rancière.

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