Dianoia 57 (68):65-79 (2012)
Abstract |
Este texto es el resultado de un ejercicio crítico de lectura, de mi lectura de Derrida como lector de Freud. A partir del análisis que hace Derrida en su ensayo "Freud y la escena de la escritura", discuto la necesidad de radicalizar algunas de las consecuencias que se siguen de la analogía que Freud establece entre el aparato psíquico y cierta máquina de escritura. Uno de los fenómenos que se desprenden de pensar la psique como un texto es que el sujeto habita incesantemente en la tensión de un entre: entre la herencia y lo porvenir. Este entre devela una temporalidad sui géneris donde los tiempos pasado, presente y futuro se mezclan y se funden. This essay is the result of a critical reading exercise, of my reading of Derrida as a reader of Freud. From Derrida's analysis in his text "Freud and the Scene of Writing", I argue the necessity of radicalizing some consequences that emerge from the analogy established by Freud between the psychic apparatus, and a certain writing machine. One of the phenomena that thinking the psyche as a text points to is that the subject relentlessly dwells in the tension of a between: between the inherited and what is to come. This between unveils a sui generis temporality where past, present and future mingle and fuse
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Temporality, Storage, Legibility: Freud, Marey, and the Cinema.Mary Ann Doane - 1996 - Critical Inquiry 22 (2):313-343.
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