Abstract

The article aims at reconstructing some fundamental aspects of Pletho's aesthetical views by investigating the ontological foundations of the plethonian concept of beauty. In a first step, the analysis concentrates on one extant fragment from the Laws, in which Pletho provides his definition of the concept of beauty. Here its definition in terms of an ,,ontological comparative" is combined with the platonic notions of the limit and the limitless . In the next step, the article shows the position of peras and apeiron in the plethonian ontology: the pair appears as Hera and Poseidon at the very top of the plethonian pantheon. After a brief analysis of the several ways in which Pletho explains their union, in the last step, the article shows that Poseidon is brought explicitly in connection with the notion of beauty in a variety of extant texts. Thus the union of Poseidon and Hera is shown to be both effective at the root of the plethonian universe and to be central for the Plethonian concept of beauty. Beauty thus becomes a constitutive trait of the plethonian universe