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Deleuze and world cinemas
New York: Continuum (2011)
Abstract
Introduction : deterritorializing Deleuze -- Spectacle I : attraction-image -- History : Deleuze after dictatorship -- Space : geopolitics and the action-image -- Spectacle II : Masala-image -- Conclusion : the continuing adventures of Deleuze and world cinemas.Author's Profile
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Citations of this work
The Filmmaker as Metallurgist: Political Cinema and World Memory.Patricia Pisters - 2016 - Film-Philosophy 20 (1):149-167.
A Pedagogy of the Parasite.David R. Cole, Joff P. N. Bradley & Alex Taek-Gwang Lee - 2021 - Studies in Philosophy and Education 40 (5):477-491.
Deleuze's Three Syntheses Go to Hollywood: The Tripartite Cinema of Time Travel, Many Worlds and Altered States.David Deamer - 2019 - Film-Philosophy 23 (3):324-350.
Deleuze, the ‘neo-realist’ Break and the Emergence of Chinese Any-now-spaces.David H. Fleming - 2014 - Deleuze and Guatarri Studies 8 (4):509-541.
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