Über den affirmativen Charakter der Kultur

Zeitschrift für Sozialforschung 6 (1):54-94 (1937)
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Abstract

As the idea of culture is conceived in modern times, it has its roots in the ancient teaching on the relation between the Necessary and the Beautiful, and between labor and rest. The stabilizing of modern society, however, ushered in a significant change in the interpretation of this relationship. Cultural values became universally valid and obligatory : each individual, regardless of his place in society, is supposed to share them in equal measure. Culture is cut off from the material processes of social reproduction, as well as from those of civilization, and comes to be regarded as belonging to a higher, purer, better world. The realm of culture comes to be looked upon as the sovereignty of a free moral and intellectual community.The article attempts to indicate the significance of modern culture for the place of the individual in society. For this purpose the author selects some characteristic and fundamental concepts of modern culture : the idea of the soul (the values of the soul receive unconditional preference to the sensual as well as the intellectual values : external conditions and intellectual achievements are less relevant than the inner essence of man), — the idea of beauty (art attains the function of giving to humanity, through the presentation of the beautiful, the enjoyment of a better world),— and the idea of personality (the individual achieves his own happiness only through subordination to the existing order of things). These ideas are analyzed in order to show that culture has absorbed all the forces that were directed towards the achievement of a better existence : humanity, kindliness, solidarity, happiness. Modern culture was the historic framework within which the pursuit of happiness was accomplished in a social order that was without happiness for the majority of mankind.But, by proclaiming all progressive ideas as spiritual or internal ideals, this same culture has distilled from them all their critical, dynamic force. They are taken seriously only as inner spiritual values or as objects of art. In this internalized and transfigured form the human desire for happiness has been diverted from reality and appears to have been set at rest. The individual is trained for renunciation and he has to rationalize in order to believe himself satisfied. In this way, culture serves to take the responsibility for the happiness of the individual from the existing order and to justify the given order of things.In the last period of this development, idealism gives way to a heroic realism of power. In the battle of the authoritarian state against the idealism of the liberal bourgeois culture, the old methods of cultural discipline are to be replaced by more timely ones. The principal function of culture, however, remains unchanged. The hostility of the authoritarian state toward culture in general also serves as a justification for the existing order of things. But in comparison the culture that is being attacked appears as an enlightened, more humane stage of the past ; its progressive tendencies stand forth more clearly in our minds.In conclusion, the idea of bridging the gulf between culture and civilization is outlined : a definite re-incorporation of culture into the general social process, whereby it would lose its justificatory character.L’idée de la culture caractéristique de l’Occident moderne, remonte à la doctrine antique qui a formulé les rapports du nécessaire et du beau, du travail et du plaisir. Avec la stabilisation de la société moderne, intervint un changement décisif dans l’interprétation de ces rapports : les valeurs culturelles deviennent universellement valables et universellement impératives ; chaque individu, quelle que soit sa position sociale, doit également participer à ces valeurs. La culture, monde meilleur, supérieur, plus pur, se détache et du procès matériel de reproduction et de la „civilisation“. Elle est revendiquée comme le règne d’une libre communauté morale et spirituelle.L’étude essaye d’indiquer la répercussion de la culture nouvelle sur la situation de l’individu dans la société. Elle relève quelques-uns des concepts fondamentaux de cette culture : L’idée de l’âme (spiritualisation de la sensibilité), l’idée de la beauté (satisfaction par l’art), et l’idée de la personnalité (accomplissement par le renoncement). La culture a résorbé toutes les forces qui tendaient vers une existence meilleure : humanité, bonté, solidarité, joie. La culture représentait la forme historique sous laquelle le besoin de bonheur trouvait satisfaction dans un ordre social qui privait de bonheur la majorité des hommes. Mais la culture, en hypostasiant toutes les idées progressives en idéals, a dépouillé celles-ci de toute force explosive, qui les eût rendues dangereuses. Elle ne les a prises au sérieux qu’en tant que valeurs intérieures, spirituelles, ou en tant que thèmes de l’art. L’exigence de bonheur trouve sous cette forme intériorisée et transfigurée une satisfaction apparente. Toutes les exigences, l’individu apprend à se les poser à lui-même et à se contenter d’une jouissance rationalisée. Il est élevé en vue du renoncement. Ainsi la culture contribue à décharger et à justifier l’ordre existant.Dans la dernière phase de cette évolution, l'idéalisme de l'intériorité, par un renversement dialectique, devient „réalisme de la force“. Dans le combat de l'État autoritaire contre la culture idéaliste de la bourgeoisie libérale, les vieilles méthodes de discipline culturelle cèdent la place à des méthodes plus adaptées. L'hostilité de l'État autoritaire à la culture est elle- même une justification. Par comparaison, la culture attaquée apparaît comme un passé moins sombre et plus humain : ses tendances progressives s'élèvent plus clairement à la conscience. En conclusion, l'auteur indique l'idée d'un dépassement de l'opposition entre civilisation et culture : la culture, une fois ramenée de façon positive au processus social, perdrait son caractère affirmatif.

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