Abstract

In ‘Zones of Indeterminacy: Art, Body and Politics in Daoist Thought’, Peng Yu foregrounds the concept of Xu from Zhuangzi’s philosophical writings, and relates this to questions about the political body. Xu refers to a Daoist notion of ambiguity, though it remains unclear as to how to fully define the term. The article explores its meaning through reference to debates of the body, but also liubai painting, which refers to the idea of ‘leaving blankness’, associated with Chinese ink painting. For Peng Yu, the notion of Xu can help us to consider a ‘politics of indeterminacy’ – a means of redefining the status of subject within power structures, or rather a radical re-articulation of how we refer to power relations in the first place. In this interview, with Sunil Manghani and Cheng-Chu Weng, Peng Yu outlines and elaborates upon the main themes of the article.