Songs Without Music: Aesthetic Dimensions of Law and Justice

Univ of California Press (2000)
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Abstract

This is a series of reflections on the aesthetic dimensions of law (how it is presented and conveyed to its subjects) and justice (the ways in which justice can be aesthetically satisfying or dissatisfying).

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2019

ISBN(s)

9780520216884   0520216881

DOI

10.1525/9780520922211
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Chapters

Preface and Acknowledgments

Prelude: Senses and Symbols in Aesthetic Experience

Fugue: A Prospectus for the Aesthetic Dimension

Motet: Statutes and Music—An Aesthetic Methodology

Requiem: Green Death—Aesthetic Interpretations and Influences in the Death Penalty

Variations on a Theme: Metaphors of the Boundary and the Boundaries of Metaphor

Quartet for the End of Time: Legal Theory Against the Law

Quodlibet: Just Aesthetics and the Aesthetics of Justice

Notes

Bibliography

Index

Contents

Frontmatter

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Citations of this work

From Beethoven to Bowie: Identity Framing, Social Justice and the Sound of Law.Julia J. A. Shaw - 2018 - International Journal for the Semiotics of Law - Revue Internationale de Sémiotique Juridique 31 (2):301-324.
Luhmann’s Judgment.Claudius Messner - 2014 - International Journal for the Semiotics of Law - Revue Internationale de Sémiotique Juridique 27 (2):359-387.
Now This : On the Gradual Production of Justice Whilst Doing Law and Music.Claudius Messner - 2018 - International Journal for the Semiotics of Law - Revue Internationale de Sémiotique Juridique 31 (2):187-214.
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The Continuing Relevance of Ars Poetica to Legal Scholarship and the Modern Lawyer.Julia J. A. Shaw - 2012 - International Journal for the Semiotics of Law - Revue Internationale de Sémiotique Juridique 25 (1):71-93.

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