Abstract

This article examines some general features of what Richard Rorty called "cultural politics." It attempts to explain why Rorty thought it both possible and desirable to give politics priority over ontology. He set aside traditional philosophical questions concerning what there is, while making those worth retaining subservient to cultural negotiation. Rorty's conception of cultural politics can perhaps avoid the complaint that by failing to deliver a substantial version of objectivity, he falls hostage to dangerous relativism