Abstract

None dispute that Aldo Leopold has made an invaluable contribution to environmental discourse. However, it is important for those involved in the field of environmental ethics to be aware that his works may unwittingly promote an attitude of domination toward the nonhuman world, due to his frequent and unregenerate hunting. Such an attitude runs counter to most strains of environmental ethics, but most notably ecofeminism. By examining Leopold through the lens of ecofeminism, I establish that the effect of such narrative is to portray the natural world as an object available for exploitation, thereby casting it as the "other" referred to in feminist writings. Thus I conclude that Leopold's work, if accepted uncritically, may actually reinforce the very notions that have been revealed as damaging to the nature/culture relationship.