Film-Philosophy 17 (1):424-445 (2013)

Abstract
The qualities of great works of art, their profundity, their insight into the human condition, are epitomised in Brakhage's films, which are, I argue, from the beginning related to and inseparable from a philosophical attitude toward existence. His films emerge out of an authentic 'existential' mode of attunement, a mind-set wherein the potential for human transcendence is framed and filmed within its intractable relationship to death, the most extreme possibility of non-existence. Brakhage not only views existence in a philosophical manner, beyond this, he engages in philosophical inquiry in a fundamental way through the medium of film. The films arise from and respond to what Karl Jaspers views as the ultimate source of philosophy, namely, 'the will to authentic communication,' which embraces 'wonder leading to knowledge, doubt leading to certainty, forsakenness leading to the self.' This amounts to the philosophical struggle to arrive at a sense of metaphysical coherence and existential familiarity, i.e., the precarious undertsanding of belonging to the world in communion with others. This essay seeks to elucidate and detail, through a series of interpretive gestures, the philosophical themes present to Brakhage's silent films by way of a reading that emerges from the phenomenological-ontological tradition in philosophy. In doing so, I hope to interpret Brakhage's filmic art as conveying a legitimate source of human understanding, which contributes to our interpreting and discoursing about the world and our lives in new and revelatory ways
Keywords Heidegger  Phenomenology  Brakhage  Experimental film  Hermeneutics  Levinas
Categories (categorize this paper)
DOI 10.3366/film.2013.0024
Options
Edit this record
Mark as duplicate
Export citation
Find it on Scholar
Request removal from index
Revision history

Download options

PhilArchive copy


Upload a copy of this paper     Check publisher's policy     Papers currently archived: 71,316
Through your library

References found in this work BETA

Poetry, Language, Thought.Martin Heidegger - 1971 - Journal of Aesthetics and Art Criticism 31 (1):117-123.
Discourse on Thinking.Martin Heidegger - 1966 - New York: Harper & Row.

View all 22 references / Add more references

Citations of this work BETA

No citations found.

Add more citations

Similar books and articles

Existential Themes in the Films of Alfred Hitchcock.Sander H. Lee - 1985 - Philosophy Research Archives 11:225-244.
What is It Like to Be John Malkovich?Tom McClelland - 2010 - Postgraduate Journal of Aesthetics 7 (2):10-25.
Changing Lenses: A Look at Bond 007 Films.Ismael N. Talili - 2013 - Iamure International Journal of Literature, Philosophy and Religion 4 (1).
Ariadne at the Movies.John Dilworth - 2003 - Contemporary Aesthetics 1.
Freshman Seminar Film Courses.Edward Halper - 2005 - Teaching Philosophy 28 (4):351-365.
Recent Work on Cinema as Philosophy.Paisley Nathan Livingston - 2008 - Philosophy Compass 3 (4):590-603.
What Do We See in Film?Robert Hopkins - 2008 - Journal of Aesthetics and Art Criticism 66 (2):149–159.

Analytics

Added to PP index
2013-12-13

Total views
39 ( #293,054 of 2,519,278 )

Recent downloads (6 months)
1 ( #407,861 of 2,519,278 )

How can I increase my downloads?

Downloads

My notes