Art Concept Pluralism Undermines the Definitional Project

British Journal of Aesthetics 62 (1):81-84 (2022)
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Abstract

This discussion note addresses Caleb Hazelwood’s ‘Practice-Centered Pluralism and a Disjunctive Theory of Art’. Hazelwood advances a disjunctive definition of art on the basis of an analogy with species concept pluralism in the philosophy of biology. We recognize the analogy between species and art, we applaud attention to practice, and we are bullish on pluralism—but it is a mistake to take these as the basis for a disjunctive definition.

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Author Profiles

P. D. Magnus
State University of New York, Albany
Christy Mag Uidhir
University of Houston

Citations of this work

Does Art Pluralism Lead to Eliminativism?P. D. Magnus & Christy Mag Uidhir - 2024 - Estetika: The European Journal of Aesthetics 61 (1):73-80.

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References found in this work

Art Concept Pluralism.Christy Mag Uidhir & P. D. Magnus - 2011 - Metaphilosophy 42 (1-2):83-97.
Practice-Centered Pluralism and a Disjunctive Theory of Art.Caleb Hazelwood - 2021 - British Journal of Aesthetics 61 (2):213-227.

Add more references