In A. Reboul (ed.), Mind, Value and Metaphysics: Papers Dedicated to Kevin Mulligan. Springer. pp. 141-58 (2014)

Fraser MacBride
University of Manchester
G. F. Stout is famous as an early twentieth century proselyte for abstract particulars, or tropes as they are now often called. He advanced his version of trope theory to avoid the excesses of nominalism on the one hand and realism on the other. But his arguments for tropes have been widely misconceived as metaphysical, e.g. by Armstrong. In this paper, I argue that Stout’s fundamental arguments for tropes were ideological and epistemological rather than metaphysical. He moulded his scheme to fit what is actually given to us in perception, arguing that our epistemic practices would break down in an environment where only universals were given to us.
Keywords Stout  Tropes  Universals  perception
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References found in this work BETA

Philosophy and the Mirror of Nature.Richard Rorty - 1979 - Princeton University Press.
Phenomenology of Perception.Maurice Merleau-Ponty - 1962 - Atlantic Highlands, New Jersey: The Humanities Press.
The Meaning of 'Meaning'.Hillary Putnam - 1975 - Minnesota Studies in the Philosophy of Science 7:131-193.

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