Three grades of iconicity in perception

Asian Journal of Philosophy 1 (2):1-26 (2022)
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Abstract

Perceptual representations are sometimes said to be iconic, or picture-like. But what does this mean, and is it true? I suggest that the most fruitful way to understand iconicity is in terms of similarity, but there are three importantly different grades of similarity that that might hold between perceptual representations and their objects, and these should be distinguished. It is implausible that all perceptual representations achieve even the weakest grade of iconicity, but I speculatively suggest a “Kantian” view, whereby all perceptual representation involves fillers placed in a “strongly iconic” spatial framework. Those fillers will likely be hybrid structures, with varying grades of iconicity combined with non-iconic elements.

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Jack Lyons
University of Glasgow

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References found in this work

Origins of Objectivity.Tyler Burge - 2010 - Oxford, GB: Oxford University Press.
Critique of Pure Reason.I. Kant - 1787/1998 - Philosophy 59 (230):555-557.
Seeing‐As in the Light of Vision Science.Ned Block - 2014 - Philosophy and Phenomenological Research 89 (1):560-572.
Knowledge and the Flow of Information.Fred I. Dretske - 1981 - Revue Philosophique de la France Et de l'Etranger 175 (1):69-70.

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