Abstract

Fr. Seidel sees "the crisis of creativity" as a perennial issue facing man, forcing him to make decisive choices that ultimately affect his destiny. The basic concern of the book is to analyze the creative process itself which Seidel does not accept as an irrational, brute eruption into consciousness. While recognizing the importance of the unconscious, he attempts to bring out those factors that are not immune to analysis. Drawing on insights of Aristotle, Kant, Hume, Freud, James, and Bergson, Seidel discusses the significance of "selective forgetting," remembering, and the association of ideas. According to the author, creativity is a process that should be taken account of in the conscious reflections of philosophers. He feels its neglect in much modern and contemporary philosophy can be attributed to a fundamentally misleading conception of the importance of methodology that found its way into philosophy with Bacon and Descartes. The search for the single right method, which when found and exercised would yield "truth," is thus seen as concomitant with the denigration of an intuitive basis for knowledge. For Seidel, this is a reversal of the Aristotelian view which acknowledges the instrumental character of any method and its subordination to prior insight. Because of its non-technical nature, the book can be read with profit by both professional philosophers and the generally educated public.—L. W.