Abstract

Already in his lifetime, the naturalist Louis-Jean-Marie Daubenton was dramatically contrasted with his patron and collaborator on the Histoire naturelle (Natural History), Buffon figuring as stylish and prone to hypothesizing, Daubenton as narrow and unwilling to generalize. This caricatural image of Daubenton as an anti-Buffon persists even now. The purpose of this paper is to investigate the development of Daubenton's reputation and then to moderate it by showing that he was not so averse to theorizing or generalization as history has made him. Evidence for this argument comes from the Histoire naturelle and from unpublished manuscripts proving that he originally planned to contribute two synthetic treatises on animal anatomy to the Histoire naturelle. Reconstituting the series as he envisaged it allows a more balanced portrait of one of the founders of comparative anatomy and a look behind the scenes of one of the eighteenth century's most important scientific publications.