Counting fragments, and Frenhofer’s paradox

British Journal of Aesthetics 39 (1):14-23 (1999)
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Abstract

It is quite common to draw a distinction between complete and unfinished works of art. For example, it is uncontroversial to think that Vermeer had actually completed View of Delft before inept restorers added layers of coloured varnish to give the picture an antique quality, and there is very good evidence to support the related claim that the artist had not finished the work before he effected several pentimenti, including the painting over of a figure in the foreground on the right. Such beliefs oriented a costly and elaborate restoration that was begun in 1994 and terminated two years later

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Paisley Livingston
Lingnan University

Citations of this work

A Return to Musical Idealism.Wesley D. Cray & Carl Matheson - 2017 - Australasian Journal of Philosophy 95 (4):702-715.
Psychologism and Completeness in the Arts.Guy Rohrbaugh - 2017 - Journal of Aesthetics and Art Criticism 75 (2):131-141.
Ambivalent Agency: A Response to Trogdon and Livingston on Artwork Completion.K. E. Gover - 2015 - Journal of Aesthetics and Art Criticism 73 (4):457-460.
How to Understand the Completion of Art.Patrick Grafton-Cardwell - 2020 - Journal of Aesthetics and Art Criticism 78 (2):197-208.
Psychologism about Artistic Plans: Reply to Cray.Guy Rohrbaugh - 2018 - Journal of Aesthetics and Art Criticism 76 (1):105-107.

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