IIIFacts and Moods: Reply to My Critics

Critical Inquiry 38 (4):882-891 (2012)
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Abstract

The purpose of my article, “The Turn to Affect: A Critique,” was to show that the theorists whose work I analyzed are all committed to the mistaken idea that affective processes are responses of the organism that occur independently of cognition or intention.1 My aim was not to emphasize the differences among the authors under consideration—differences that, as I noted in my article, of course do exist—but rather to demonstrate that those theorists share certain erroneous assumptions about the separation presumed to obtain between the affect system on the one hand and intention, cognition, and meaning on the other and to lay out the unfortunate consequences of their doing so.If Adam Frank and Elizabeth A. Wilson wish for another kind of essay than the one I have written—an essay that would stress the divergences between the ideas of Silvan S. Tomkins and those of the other affect theorists I consider, especially those of Paul Ekman, in order to show what was distinctive about Tomkins's contributions—let them write it. But in such an essay they will have to acknowledge certain facts about the relationship between Tomkins and Ekman that, in their haste to separate Tomkins's theories from Ekman's, they are in danger of neglecting or misrepresenting.

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Citations of this work

A Differential Theory of Cinematic Affect.Lisa Åkervall - 2021 - Deleuze and Guattari Studies 15 (4):571-592.

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References found in this work

The turn to affect: A critique.Ruth Leys - 2011 - Critical Inquiry 37 (3):434-472.
Against Theory.Steven Knapp & Walter Benn Michaels - 1982 - Critical Inquiry 8 (4):723-742.

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