Museums and the Nostalgic Self

Royal Institute of Philosophy Supplement 79:77-94 (2016)
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Abstract

The first part of this essay asks: What is the function, purpose and value of a museum? Has any museologist or philosopher given a credible account of philosophical problems associated with museums? Is there any set of properties shared by the diverse entities called museums? Overgeneralization is the principal problem here. The essay then examines a central kind of museum experience; one that invokes and relies upon nostalgia. I argue that the attraction of museums are varied but are best explained affectively and in terms of the orectic rather than cognitively conatively. Although this need not be taken as conflicting with the idea that museums are focused on scholarship, it is more consonant with the claim that exhibitions are central. Museums may at times both pique and satisfy our curiosity. However it is a mistake to see ‘curiosity’ as merely, or even primarily, a matter of cognition.

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Michael P. Levine
University of Western Australia

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References found in this work

Phenomenology and the Sciences of Man.Maurice Merleau-Ponty - 1964 - In James M. Edie (ed.), The Primacy of Perception. Evanston, USA: Northwestern University Press.
Ethics versus aesthetics in architecture.Maurice Lagueux - 2004 - Philosophical Forum 35 (2):117–133.
Museum Memories. History, Technology, Art.David Carrier & Didier Maleuvre - 2001 - Journal of Aesthetic Education 35 (2):122.
Remembering the past: Art museums as memory theatres.David Carrier - 2003 - Journal of Aesthetics and Art Criticism 61 (1):61–65.

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